Natalya Balnova for The Chronicle Review
About the profound influence Oxford’s Inklings had on the course of imaginative literature, Philip Zaleski and Carol Zaleski write:
“By the time the last Inkling passed away, on the eve of the 21st century, the group had altered, in large or small measure, the course of imaginative literature (fantasy, allegory, mythopoeic tales), Christian theology and philosophy, comparative mythology, and the scholarly study of the Beowulf author, of Dante, Spenser, Milton, courtly love, fairy tale, and epic. Drawing as much from their scholarship as from their experience of a catastrophic century, they had fashioned a new narrative of hope amid the ruins of war, industrialization, cultural disintegration, skepticism, and anomie. They listened to the last enchantments of the Middle Ages, heard the horns of Elfland, and made designs on the culture that our own age is only beginning fully to appreciate. They were philologists and philomyths: lovers of logos (the ordering power of words) and mythos (the regenerative power of story), with a nostalgia for things medieval and archaic and a distrust of technological innovation that never decayed into the merely antiquarian. Out of the texts they studied and the tales they read, they forged new ways to convey old themes — sin and salvation, despair and hope, friendship and loss, fate and free will — in a time of war, environmental degradation, and social change” (emphasis mine).
HT: Daniel Hames